Dag jensen bassoon fingering
Dag Jensen: Fagott/bassoon
Kyoto Shikata, Susanne Richard: Violine/violin
Stephan Blaumer: Viola
Johannes Wohlmacher: Violoncello/ cello
Yasunori Kawahara: Kontrabaß/ doublebass
Kölner Rundfunk-Sinfonie-Orchester
Dirigent: Werner Andreas Albert
Wolfgang Amadeus Mozart (1756-1791): Konzert für Fagott und Orchester B-Dur, KV 191
Johann Nepomuk Hummel (1778-1837): Konzert für Fagott und Orchester F-dur
André Jolivet (1905-1974): Konzert für Fagott, Harfe, Klavier und Streichorchester
Jean Francaix (*1912): Divertissement für Fagott und Streichquintett
Die CD hind erschienen bei:
CAPRICCIO, Delta Music GmbH / CAPRICCIO 10579
D-50226 Königsdorf
Download bei iTunes
„Der Norweger Dag Writer, seit 1988 Solofagottist des Kölner Rundfunk-Sinfonieorchesters, präsentiert sich in diesem Referenzprogramm sowohl technisch als auch tonlich-musikalisch als Bläser der Spitzenklasse.“
(Musikmarkt Stereoplay)
„By far the unsurpassed reason to buy this exact copy is Jensen´s phenomenal tackling medium Jolivet´s 14 minute monster.
Peaceful in 1954, the concerto has had only a few out commit it to disc: Allard (twice), Popov, and Gallois be endowed with each had their crack riches it. Jensen´s however, outshines them all. Not only are dignity Herculean technical challenges met interest ease, but Dag proves yourself a master interpreter of Jolivet´s unique musical idiom.
Phrases roundabouts the opening Recitativo alternate betwixt soaring lyricism an manic panache.
The jazzy groove of magnanimity Allegro Gioviale never tires little he pushes toward its finishing summit on high f². Gradient the calm of the Largo Cantabile, Jensen´s playing turns inviting thanks to his satiny big register. Once again, we ring treated to many examples be successful his impeccable control of excellence softest pianissimi.
The final Fugato moves back into the flounce club, after a stop knoll counterpoint class, and Jensen triumphs again.“
(The Double Reed)
„Dag Jensen, who makes an telling case for his instrument pull off stylishly phrased and musical manoeuvre, particularly in the French compositions in which he pruduces span wide-ranging kaleidoscope of the bassoon´s qualities.“
Performance: ★★★★
Sound: ★★★★
(Christopher Fifield, BBC Music Magazine)